If you’re missing your fix of gritty Sunday night drama since Line Of Duty wrapped up its sixth series last month, then you’re in luck. This weekend sees the arrival of Jimmy McGovern’s latest series, Time. Set in a prison, it is a visceral and high-stakes story about the impact that the modern British penal system has on all those who pass through it, which is told through the eyes of two very different men. After teacher Mark Hebden (Sean Bean) kills an innocent man in an accident, he is consumed by guilt and welcomes his four-year sentence – but he has to learn quickly how to survive in his unforgiving new environment.Eric Reid (Stephen Graham) is a caring and honest prison officer who tries his very best to protect those in his charge, but when one of the most dangerous inmates identifies his weakness, Eric faces an impossible choice between his principles and his love for his family. Sean and Graham lead an accomplished cast full of acting talent, many of whom you will recognise from elsewhere (not least a certain Line Of Duty OCG member). Here’s your guide as to where you’ve seen them before... Stephen Graham as Eric ReidAs one of the UK’s most acclaimed actors, Stephen Graham likely needs no introduction. He’s probably best known for playing Combo in the This Is England series, as well as undercover officer John Corbett in series five of Line Of Duty. Stephen has played police officers in true crime dramas Whitehouse Farm and Little Boy Blue, Jacob Marley in the 2019 adaptation of A Christmas Carol and Joseph in the Channel 4 mini series The Virtues. He also appeared in the Elton John biopic Rocketman as Dick James, while his other big screen roles include Scrum in Pirates Of The Caribbean, Tommy in Snatch and Shang in Gangs Of New York.  Sean Bean as Mark HebdenGame Of Thrones fans will know Sean best as Ned Stark from the first series of the fantasy drama series. He was no stranger to the genre, having appeared in the Lord Of The Rings trilogy as Boromir. Sean made his name playing the titular British soldier in the Napoleonic Wars drama Sharpe during the 90s, and appeared in previous Jimmy McGovern dramas Broken and Accused, in which he starred alongside Stephen Graham. Most recently, Sean appeared in Netflix drama series Snowpiecer as Joseph Wilford. Siobhan Finneran as Mary LouiseSiobhan has starred in a host of British TV dramas, and is perhaps best known for playing Sarah O’Brien in the first three series of Downton Abbey and appearing as Clare Cartwright in Happy Valley, as well as her role as Janice Garvey in series 1-7 of sitcom Benidorm. Her other credits include Clocking Off, Cold Feet, The Syndicate, The Moorside and A Confession. Most recently, she appeared in the Netflix 2020 series The Stranger as DS Johanna Griffin. Sue Johnston as June Cobden Sue Johnston’s portrayal of Barbara Royle in BBC sitcom The Royle Family is still much loved to this day. Sue is also famous for playing Shelia Grant in Brookside and Gloria Price in Coronation Street, as well as for her role as Grace Foley in hit BBC crime series Waking The Dead. She appeared as Miss Denker in Downton Abbey from 2014 to 2015 and Sal Vine in Jennifer Saunders’ Jam And Jerusalem. Other credits include The Good Karma Hospital, Little Dorrit and Medics. Hannah Walters as Sonia McNally Hannah is best known for sharing the screen alongside her now-husband in the This Is England series, where she played Trudy. She starred in the third and fourth series of ITV crime drama Whitechapel as DC Megan Riley and appeared in the first series of Channel 4’s No Offence. Hannah also played Beatrice in Pirates of the Caribbean: Dead Men Tell No Tales. David Calder as John Cobden David has appeared in films including The Lady In The Van, The Hatton Garden Job and James Bond movie The World Is Not Enough. He has made a number of guest appearances in dramas including Spooks, Lewis, Mr Selfridge, Father Brown, Call The Midwife and Vera. David also plays Julia’s father-in-law Geoff in BBC sitcom Motherland. Nadine Marshall as Alicia Cobden Nadine is best known for her performance as Sally in the Bafta-winning BBC Three Sitcom The Smoking Room. More recently, she played DS O’Halloran in Sky’s Save Me, Janet in the BBC’s one-off 2020 drama Sitting In Limbo and Jessie in the Red, White And Blue film of Steve McQueen’s Small Axe.Her other credits include Waterlood Road, Netflix’s The Innocents, The End Of The F***ing World and ITV2′s Plebs.  Michael Socha as Kenny MeadowsMichael is another alumni of the This Is England series appearing in Time, having played Harvey. He is also known for playing young werewolf Tom McNair in Being Human between 2011 and 2013. Michael has also appeared in US dramas including the Once Upon A Time series as Will Scarlett/The Knave of Hearts and as Mikhail in Chernobyl. Aneurin Barnard as BernardAneurin starred opposite Sheridan Smith in ITV’s Cilla Black biopic in 2014, playing the late Blind Date host’s husband and manager Bobby Willis.He appeared in Christopher Nolan film Dunkirk as Gibson in 2017, while his other credits include the BBC’s Thirteen, The White Queen and War & Peace. He has also just been seen in other BBC drama The Pact, which finished earlier this month. Kadiff Kirwan as PeteKadiff is best known for his roles as Aaron and Jason in the sitcoms Chewing Gum and Timewasters. He also popped up as Claire’s hairdresser in Fleabag and as a police officer in I May Destroy You. Kadiff starred alongside Time co-star Siobhan Finneran in The Stranger, where he played DC Wesley Ross. His other credits include Death In Paradise, Black Mirror’s Nosedive and Drifters.Jack McMullen as DanielJack is best known for playing Finn Sharkey in Waterloo Road between 2010 and 2012, having previously appeared in Grange Hill and Brookside. His other credits include Maigret Sets a Trap and BBC Two sitcom The First Team, where he plays Jack Turner. James Nelson-Joyce as JohnnoJames has appeared alongside a number of his Time co-stars previously, including Stephen Graham in both The Virtues – where he played Ryan – and Little Boy Blue, where he played James Yates. He starred with Aneurin Barnard in Cilla, where he played Degsy and appeared in an episode of No Offence alongside Hannah Walter. His other credits include Mount Pleasant, Shameless and Casualty.Brian McCardie as Jackson JonesLine Of Duty fans will recognise Brian as the original OCG boss Tommy Hunter, who appeared in the first first series and was still being referenced in the most recent series. His other credits include Murphy’s Law, Rebellion, Lilies and children’s series M.I. High. Time begins on Sunday at 9pm on BBC One, with all episodes also streaming on iPlayer from the same time. READ MORE:12 Shows To Watch The Line Of Duty Cast In Now The Series Is OverThe 7 Loose Ends The Line Of Duty Finale 'Definitely' Did Not Tie UpLine Of Duty Fans Reckon They Already Know Who DCI Davidson Is Related To
Once upon a time, around 54 BC (that’s before Bollywood Control), weddings in India were simple, rituals-linked-to-individual-community affairs.Then Bollywood changed the face of Indian weddings forever, making them all clones of a Punjabi Bollywood six-day wedding gala.Blame It On Yashraj, is a hilarious English Comedy Play highlighting how a Punjabi – Bengali family, gets caught up in whirlwind wedding getting when their daughter decides to marry a Muslim boy.Innovatively mounted with fast-changing video walls as backdrops, every scene and every emotion is enhanced with popular Bollywood music and moves, to even a hilarious parody of popular Bollywood tracks and an ensemble cast of well-known TV and stage artists.It’s a mirror to your life being shown in reality, on stage.And when you laugh, you are laughing at yourself (and that’s the warmest laughter ever).Written Directed By: Bharat Dabholkar, Bollywood actor who was a part of box office hits like Sanju, Sarkar 3, John Day.Cast: Ananth Mahadevan, Bollywood actor, director and four times national award winner, with his latest hit film Xpose, Jayati Bhatia television star from Sasural Simar Ka, Internet Wala Love and many more hit TV shows and others.AGP World would like to thank Yashraj Films for graciously allowing us to use their trademark ’Yashraj’ for this theatre play.
Sky Lane scrolled through the pictures from an impromptuphoto shoot she’d done with her friend and picked her favourite. It was cute — she was showing off her side profile in a black crop top, tight blue jeans, big silver hoops and smoky bronze eyeshadow. But the 21-year-old wouldn’t dare post it to Instagram for the world to see just yet. She opened Facetune, a photo-retouching app on her iPhone, and got to work.Using the “Reshape” tool, she started pushing her tummy inward, little by little. She had to be careful not to noticeably warp the background in the process; the trick was to edit the photo without making it look like it had been edited. Skewed lines, blurry edges and inconsistencies in shadows and reflections were easy giveaways that Lane had learned how to avoid through years of practice — she’d been Facetuning since she was a teenager. She used the same tool to give herself a breast lift, slim her arm, cinch her waist and make her butt rounder, like the bodies flooding her Instagram feed.Next she moved onto her face. Her friend had taken the photo using a Snapchat filter that had already plumped her lips, slimmed her nose and smoothed her skin so much her pores were no longer visible, but Lane applied Facetune’s complexion retouching effect for good measure. Her jawline was an easy fix with the jaw-slimming tool. Usually she’d whiten her teeth, but they were hardly showing. The more technical tweaks, like individually repositioning her eyebrows and narrowing the tip of her nose, required tools only available on the paid version of the app, which she’d upgraded to long ago.She was done in under 20 minutes. The final product still looked like her, Lane decided, just a better, more acceptable version. She sent it to her mom, who didn’t seem to notice that anything had been altered, giving Lane the reassurance she needed that it was pretty and believable — polished but not overdone. She wouldn’t want her followers to accuse her of being a “catfish,” a term that has evolved in the Facetune era to describe someone who enhances their pictures beyond recognition.Lane was finally ready to post the photo. It got 179 “likes,” which she thought was pretty good; without Facetune, she figured, she’d be lucky to get 40. Like the myriad other women who’ve been conditioned to pick apart their appearances, Lane has countless insecurities — including many that are invisible to everyone except her. The app makes them go away with a few simple finger strokes and ushers in thesocialvalidation she craves, which is at once addictivelythrilling and utterly depressing.Facetune makes it harder for her to love herself, but at least she can love her selfie.“It can get super obsessive, because the second I take a photo I feel like I need to Facetune it,” Lane said. “Now I’ll be like, ‘Oh my God, I’m chubby, but I can fix that.’”Photo-retouching technology has existed for decades, and concern about its toll on the self-esteem of women, and girls in particular,is nothing new. But with the meteoric rise of Facetune and a suite of similar apps that put ever-advancing versions of these tools into the pocket of anyone with a smartphone, digitally perfected faces and bodiesare no longer restricted to magazine covers or pictures posted bycelebritieswho can afford cosmetic surgeries and professionalphoto editors.They’re everywhere in our social media world: all over the profiles of influencers and, quite possibly, your own friends. As a result,the pressure facing today’s young women to look flawless can feel inescapable.We’ve been sinking deeper into this reality for a while now, but it has accelerated during the pandemic, when we’ve spent more time than ever on social media, andwhenour digital selves have for so long been the only version anyone has seen of us. The result is a body dysmorphia epidemic with increasingly unattainable beauty standards that — at the extremes — defy basic human physiology.  If I’m not coming to Kylie Jenner-level of perfection on a photo, literally what is the point of posting it?Harmonie Christian, 22-year-old Facetune userCosmetic surgeons who spoke to HuffPost said they now regularly have patients come in with photos of themselves that have been so heavily Facetuned they would be anatomically impossible to replicate: jaws so slim teeth would need to be pulled, facial structures so warped eyeballs would need to be repositioned, legs so long femurs would need to be stretched, heads so narrow skulls would need to be reshaped, waists so cinched ribs and internal organs would need to be removed.“Apps like Facetune give individuals this totally false impression of what they can look like,” said Dr. Philip Miller, a surgeon at Gotham Plastic Surgery in Manhattan. “I get patients who aren’t even requesting a procedure, they’re requesting a result — they’re saying, ‘Do whatever you need to do to make me look like this.’ And it’s like, ‘Great, let me crack open your head, take out your teeth and reposition your bones.’”HuffPost spoke with young women across the country whodownloaded Facetune hoping to vanquish their insecurities, only to find that using the app has left them feeling more insecure than ever. Several said they edit their selfies so much that they feel anxious about seeing their followers in-person, but still aren’t willing to stop Facetuning. Since posting that photo of herself last February, Lane, who’s now 22 and works at Starbucks in Jacksonville, Florida, has gotten lip fillers and Botox. She wants a nose job to make her already-small nasal tip more refined, more Botox to remove the fine lines on her forehead and liposuction or cryolipolysis, a nonsurgical fat reduction treatment.“If I could just look like my pictures,” Lane said, “I wouldn’t need to Facetune anymore.”‘Who Doesn’t Use Facetune?’Before she got “hooked” on Facetune, Maxine, a 25-year-old administrative assistant living in Long Beach, California, would only ever edit away circumstantial imperfections in her photos. Using a basic retouching tool, she’d erase the occasional blemishes and flyaway hairs that, in her mind, detracted from otherwise great pictures. She never felt the need to change anything else. Maxine learned about Facetune as a sophomore in college, when her sorority sister started posting photos of the two of them that looked “off.” She could tell something was different about her own face in the images. When she confronted her sorority sister, she was upset to learn that she’d been Facetuning both of them — editing things about Maxine’s appearance that she hadn’t previously felt insecure about, like the height of her hairline and the shape of her nose.But when Maxine went on to experiment with Facetune herself, she was pleasantly surprised by how easy it was to turn a great picture into an amazing one, and she discovered that everyone around her was already using the app. Her sorority sister, she realised, had been doing her a courtesy by enhancing her appearance.“It feels like Facetune etiquette,” said Maxine, now a regular Facetune user who pays for the premium version, and who’s identified by a pseudonym to keep that aspect of her online life private. “If you’re going to edit yourself in a picture with someone else, you have to edit them, too.” Facetuning is so common these days, Maxine said, that she and her friends have group chats where they send each other their Facetuned photos for “approval” before posting them to social media, to ensure they don’t look over-edited. For group photos that multiple people intend to post, everyone gets a chance to edit their own face and body (or request that someone else does so) before anyone shares the photo publicly, to guarantee consistency across all posts.“At this point it’s almost like, who doesn’t use Facetune?”Facetune is the brainchild of five men. Four Israeli computer science Ph.D. students and a former clerk for the Supreme Court of Israel launched it through their company Lightricks in 2013, at a time when Instagram, not even three years old, had just been acquired by Facebook and was exploding in popularity. Months after Facetune’s release, the word “selfie” was added to the Oxford Dictionary, foreshadowing the app’s almost immediate success. Within a year, Facetune was the top-ranked photo and video app in the App Store across 120 countries, and by 2016, Lightricks had launched Facetune2, a more advanced version that was also an instant hit.Lightricks did not respond to requests for comment for this story.Today, Facetune is so widely used that it has become a stand-in word for “edit,” much like “Photoshop.” It has scored powerful endorsements from celebrities and influencers including Khloe Kardashian, Chrissy Teigen, James Charles, Busy Philipps, Tana Mongeau and others. YouTube and TikTok are littered with Facetune tutorials demonstrating how to do everything from painting on makeup to shading on abs.The app, which has been downloaded more than 160 million times, according to its website, saw a 20% increase in usage at the start of the pandemic, and has 1 million to 1.5 million retouched photos exported every single day.To Facetune virgins, these numbers may seem shocking, but if you’re on Instagram, Facebook or other photo-sharing websites, the chances are high that you’ve scrolled past Facetuned images without realising it. Part of the goal of using Facetune is often to hide the fact that you’ve done so — to make it seem as if your pictures are naturally flawless, à la “I woke up like this.” I wish that I could go back and prevent myself from ever trying Facetune, because it’s so hard to stop.Lauren Florio, 25-year-old Facetune userBut not everyone is totally oblivious to these efforts. Instagram has a community of Facetune watchdogs: Large accounts such as @fakegirlsfvckya, @s0cialmediavsreality, @beauty.false, @igfamousbydana and @celebface, which has 1.5 million followers, pull back the curtain on just how widespread this kind of editing is among celebrities and influencers specifically by comparing their Instagram photos to unaltered paparazzi pictures, or drawing viewers’ attention to unnatural-looking details.“Pretty much every single influencer uses Facetune, except for the handful of body-positive ones who go out of their way to talk about why it can be toxic,” said Dana Omari, 31, the med-spa and social media consultant from Houston behind @igfamousbydana.“To the untrained eye, it can be hard to tell [when someone has used Facetune], but just little tweaks here and there can give them a totally different appearance,” she added. “Anyone can change their entire body or face in a couple minutes.”The pressure to do so is, for many, part of the Instagram experience.The platform, which saw a more than 40% spike in usage among young users early in the pandemic, is a cultural ground zero for new and emerging beauty trends: hence the terms “Instagram model” and “Instagrammable,” meaning aesthetically pleasing enough to post. But it isn’t just hosting an endless sea of images showcasing unrealistic beauty standards — it’s actively driving users with body image issues toward them.Instagram’s Explore feed is algorithmically curated to show users more of what they already look at, whether it’s puppies, vegan meal plans or picture-perfect influencers. The result is an echo chamber in which self-conscious young women are bombarded with photos of their desired faces and bodies every time they open the app. Your browser does not support the video tag. Instagram These are some of the images that Instagram has algorithmically promoted to the women in this story.Over the pandemic, Lane estimates, she has spent on average multiple hours per day looking at photos of Instagram models, comparing herself to them and fixating on her own perceived flaws. But it’s not just the rich and famous flaunting flawless figures and selfies in her feed anymore — it’s her own friends now, too. It has gotten to the point that Lane won’t even take photos of herself without using the built-in filters on Instagram and Snapchat that enhance users’ features in real-time: enlarging their eyes, smoothing and brightening their complexions, slimming and lifting their noses, sculpting their cheekbones and jawlines, pouting their lips, lifting their eyebrows and volumising their eyelashes before the photo is even taken.“I don’t like how I look without them,” she said. “Everyone uses them, you know?”Similar functions are available on TikTok — even in live videos. There is virtually no social media platform where you’re guaranteed to see real, un-retouched faces anymore, which for many has fostered an environment in which posting a raw selfie feels like an act of bravery. The women who spoke to HuffPost described feeling like they need to Facetune their photos because everyone else is doing it, and if all the other women in their Instagram feeds look unnaturally good, they worry that they’ll look worse by comparison if they don’t Facetune.“It would obviously be a lot easier if this wasn’t necessary,” Maxine said. “It sucks because in a perfect world, I wouldn’t have to do this and other people wouldn’t either.”An Endless Quest For PerfectionWhen Harmonie Christian was in high school, her biggest insecurities were her braces and her weight. As one of the only Black students at a predominantly white, all-girls school, where being skinny and being popular went hand-in-hand, Christian said, she always felt too curvy, so she mastered how to pose for photos to make herself appear as thin as possible. She’d heard that a few of her peers were starting to use Facetune and other apps to alter the shape of their bodies in their Instagram photos; at the time, she thought it was sad that they felt the need to do so. The most she would ever do to her pictures was apply filters to enhance the lighting or hue.But once Christian got to college, it suddenly seemed like everyone was Facetuning, and it felt as if looking good on Instagram had become as important as looking good in real life. So she decided to give the app a chance. Like Maxine, she couldn’t believe how much she could change about herself — or how much she liked the results. Today, her Facetune routine involves slimming her waist, widening her hips, enlarging her butt, whitening her teeth, smoothing her skin and thickening her eyelashes.“Everyone in my feed Facetunes. After a while it felt like we were all just comparing our Facetune game rather than posting pictures of what we actually look like,” said Christian, who’s 22 and is launching an online graphic design business from Pittsburgh. “I worry like, ‘Oh my god, I’m gonna look like a catfish.’ But I feel like if I’m not coming to Kylie Jenner-level of perfection on a photo, literally what is the point of posting it?”The aesthetic transformation you can give yourself with Facetune is nothing short of extraordinary — and simple to do. Just by sliding a dial, you can change the width of your head; the size of your jaw; the shape of your smile; the texture and tone of your skin; the size and position of your eyes, nose, lips and eyebrows; the colour and clarity of your irises; the size of your pupils; and more. Manually, it’s easy to reshape your body, hairline or any other features to your liking.  Instagram used to be a fun place to post for your friends. Then everyone started looking like models.Dawn, 22-year-old Facetune userTens of millions of Facetune users are now collectively creating new beauty standards on social media. They can be so overzealous in their editing that ridiculing their “Facetune fails” has become a hobby for people all over the internet. Groups like r/Instagramreality, a nearly 1 million-member subreddit, are awash with screenshots of ordinary women with waists that appear to be slimmer than their heads, backsides so round the background scenery seems to curve to accommodate them and skin textures retouched into oblivion.For this story, six young women agreed to Facetune the same photo of a HuffPost reporter to resemble their personal perception of perfection. The results varied to a degree but generally reflected what has become the ideal Instagram aesthetic: atiny waist; blindingly white teeth; cartoonish hourglass curves; a small nose; full, lifted eyebrows; tanned, poreless skin; an angular jaw; and so on.Multiple women said “perfect” to them looks like the Kardashian sisters, a standard so unattainable that even the Kardashians can’t meet it — at least, not the version of themselves they sell to young women on social media. Khloe Kardashian was embroiled in controversy last month after her team went into a frenzy threatening legal action to get an un-retouched photo of her in a bathing suit taken offline. The 36-year-old, who has accepted payments to promote weight-loss products and whose clothing brand, Good American, has the slogan “Representing Body Acceptance,” appeared in the picture to have a conspicuously less curvy figure than what she presents on Instagram. (Critics have accused the Kardashians of altering their appearances to resemble and commodifythe bodies of Black women.)It was a viral fiasco that ended with Kardashian filming a live video of her body to “show you all this isn’t photoshopped” and writing in a post that “the pressure, constant ridicule and judgment my entire life to be perfect and to meet other’s [sic] standards of how I should look has been too much to bear.”Lane can empathise with that. She knows what it’s like to feel like you desperately need to look flawless, and she too has been shamed for Facetuning — both by random strangers on social media and her former roommate, who used to tell her, “You’re not as skinny as you’re trying to make people think you are.”But it’s also hard for Lane to see Kardashian complain about the pressure to meet a standard that the celebrity herself has actively promoted and profited off.“I felt bad for her, but the Kardashians are the ones that have really pushed these beauty expectations,” she said. “The more they promote these unrealistic ideals, the more pressure ordinary women will feel to Facetune themselves to look the same way.”‘It’s Like A Drug’Lauren Florio was one of Facetune’s earliest and most enthusiastic advocates. When she was a high school student struggling with anorexia and bulimia, the app gave her the skinniness she so badly wanted while helping her maintain an hourglass figure. She used to recommend it to all of her female friends as a “secret weapon” for their photos.“I wish that I could go back and prevent myself from ever trying Facetune, because it’s so hard to stop,” said Florio, a 25-year-old grad student in San Diego. Her need to control her image has become so overpowering that she now even finds herself Facetuning the selfies she sends to her own mother and long-term partner.“I get a lot of anxiety if someone else takes a photo on their phone of me, because I’m like, ‘You could post that and I have no idea what I look like,’” Florio said.She’s been trying to cut back on Facetuning her Instagram photos lately, but she can’t imagine ever quitting altogether. She knows “for a fact” that using the app brings in far more traction on her posts. An expertly staged and Facetuned photo can get 2,000 “likes” or more, whereas a natural, “real-life” picture typically only gets 300, and leaves her aching to tweak and repost it.“It’s hard deciding you’re going to do something positive for your mental health and edit less, then realising no one likes that,” Florio said. “So you go back to Facetuning and all the ‘likes’ come back, and you tell yourself, ‘OK, I’ll just do it occasionally.’ It’s like a drug.”The instant gratification that comes from getting “likes” is literally addictive, according to neuroscientists. When these notifications pop up on our smartphones, it releases dopamine — a brain chemical that makes us feel good — triggering the same kind of reaction one might get from gambling or doing drugs, and leaving us craving more. In this sense, Facetune facilitates a more reliable and satisfying high by helping its users reel in more “likes.” For Instagram users like Florio, posting un-Facetuned photos and watching their engagement plummetmight feel like swapping out cocaine for espresso. As soon as I take a picture, I go straight to Facetune. I can’t help it.Sabrina Arredondo, 24-year-old Facetune userIn the long term, this feedback cycle can be very damaging to one’s mental health,warnsRachel Rodgers, a psychology professor at Northeastern University who’s studying the harms associated with digitally altered photos.“If you’re constantly being told that your outward appearance is a reflection of your inner self-worth, then when you’re posting something to social media that people are reacting to very positively, this is not only going to briefly boost your opinion of your appearance, it’s going to make you feel like you’re a better person overall for that short moment,” Rodgers said.However, this “leaves you needing constant reassurance and overall undermines your self-image,” she added. “Even if there’s some short-term relief from getting the positive feedback from the ‘likes’ [on one post], that then leads to a higher bar for the next post, and then a worry if that post doesn’t do as well.” For 24-year-old Sabrina Arredondo from Long Beach, posting an un-Facetuned photo to Instagram can cut her “likes” in half. She hasn’t been able to stop using the app since she downloaded it at age 19.“As soon as I take a picture, I go straight to Facetune. I can’t help it,” she said. “If somebody posts a picture of me and I’m not Facetuned, I’m just like, ‘Oh my god, you’re sharing my secrets! I need to edit that.’”Arredondo tries to keep her edits subtle, but she still feels nervous about meeting up with people from dating apps where she features Facetuned images of herself.“What if I went too far and I look like a completely different person, and they’re like, ‘Whoa, you don’t look like your pictures’?” she said. “Facetuning isn’t even something I think about anymore — I just do it.”For her part, Florio has unfollowed a bunch of Facetune-savvy Instagram models to lessen the temptation to use the app that comes from scrolling through her feed. She believes their addiction to Facetuning is even greater than the ordinary user’s because it’s tied not only to their sense of self-worth, but also to their income.She got a taste of life as an influencer in college while earning brand deals to promote various items on her Instagram profile and YouTube channel. She knew she wasn’t just selling the products — she was selling her image, too. The better she looked, she thought, the more attention she’d get and the more paid partnerships she’d score.“If you don’t look like you’re 5’8” and a size 2 you get insecure that you’re not going to keep your followers or you’re not going to make money that month,” Florio said. “You start to really overanalyse your appearance because it’s part of your business.”Her attempts to wean herself off Facetune stem from a desire to protect not only her own mental health, but that of other women who may envy how she looks in her photos.“I know that I’m part of the problem by [Facetuning], but at the end of the day, I’m human and I feel self-conscious, too,” said Florio, who’s studying to become a mental health counsellor. “It’s a trap. You’re damned if you do and you’re damned if you don’t.”Facetune DysmorphiaAs Lightricks tells it, Facetune exists purely to boost users’ confidence by augmenting their natural beauty and minimising their perceived imperfections.“There are users that DM us simply to tell us that they took the *best* photo of the *best* night and Facetune2 allowed them to zap away that pesky zit they didn’t want to remember forever,” a Facetune executive claimed in a blog post. “There are those that write to us with stories of how Facetune2 makes them feel confident, like a rockstar on social media, instead of overwhelmed.”But this vision Facetune peddles of itself, like the selfies its users tweak to perfection, is hard to square with reality. Its features invite far more granular editing than simply zapping away a “pesky zit” or brightening a smile. (How many of us have ever independently felt the need to tilt the angle of our eye sockets by a few degrees? Why does the app have five separate functions for users to reshape their noses?)By design, these tools have led young women to fixate over supposed problems with their appearances that they’d never previously been concerned about.“I for sure notice a lot of my flaws more than I used to and I’m very critical of myself when I look in the mirror. Facetune has definitely amplified that,” said Dawn, a 22-year-old college student in Orange County, California, who hasn’t posted an un-Facetuned photo of herself since she downloaded the app in early 2018. “Instagram used to be a fun place to post for your friends. Then everyone started looking like models.”It’s a feeling to which theother women can intimately relate. Some said that looking back, they wonder how they ever felt confident enough to post pictures of themselves before discovering Facetune, and how they had been so blind to the apparent imperfections in their appearances that Facetune has helped bring to their attention. I’ve always been insecure, but in this Facetune era, I feel so much more shame about my appearance.Harmonie ChristianThere is a direct correlation between the proliferation of digitally manipulated selfies and body dysmorphic disorder, an under-diagnosed mental health condition causing sufferers to obsess over minor or imagined defects in their appearance, researchers at Boston University found in 2018. They warned that Facetune and similar apps “are making us lose touch with reality because we expect to look perfectly primped and filtered in real life as well,” which can cause serious psychological harm.Dawn has noticed some positive mental health outcomes from using Facetune. Before Facetune, she often shied away from posting close-up photos of her face online because she was insecure about her acne. Facetune made her feel comfortable enough to post selfies with a smoothed complexion, but it also gave her anxiety about seeing people in-person who might notice that her skin wasn’t as clear as it appeared to be on Instagram.“It’s kind of sad, but because I had this tool to make me look a little more flawless, it was easier to be like, ‘This picture is perfect, I’m gonna post this,’ because I could fix my face,” said Dawn, who’s identified by her first name only to protect her privacy, and who also uses Facetune for creative purposes, such as enhancing her makeup looks. Your browser does not support the video tag. Courtesy of Dawn Dawn, 22, demonstrates how she uses Facetune to lightly edit photos of her face.Although Lightricks advertises Facetune as users’ “little secret,” many in the online Facetune watchdog community are calling for transparency, and believe young women would feel far less desperate to look perfect if they knew which photos in their social media feeds had been altered.France enacted a law in 2017 stipulating that digitally manipulated commercial images of models must be labeled as “retouchée”; lawmakers in the U.K. are considering a similar bill. No such law exists in the U.S., although in 2016 Congress reintroduced the Truth In Advertising Act, which would require the Federal Trade Commission to regulate how advertisers “materially change the appearance and physical characteristics of the faces and bodies of the individuals depicted.” Such legislation could have major implications for the influencer marketing world, where Instagram stars hawk billions of dollars’ worth of beauty and diet products to their followers with little-to-no oversight, but would be near-impossible to enforce. (Maybe it’s Maybelline, maybe it’s Facetune — how would the FTC know?)Similar to government warnings on cigarette packs, though, Rodgers believes that adding labels to identify retouched photos would do little to prevent women from comparing themselves to the pictured models.“In the worst cases this is actually unhelpful, because it increases the extent to which people engage in appearance comparisons, and they start looking at the image more closely,” she said.Several of the women in this story said they use Facetune so much that they can often recognise when others use it, too. But somehow, that still doesn’t make those other women’s photos seem less real — or curtail their own desire to keep Facetuning.“My Facetuning has gotten so meticulous that by the time I’m done [editing a picture], I don’t even want to post it, because it doesn’t look like me,” Christian said. “Girls will leave comments like, ‘I want to be you!’ and I’ll think, ‘I want to be me here, too.’”From Selfies To SurgeriesIf you were to scroll through Florio’s Instagram, you’d never know when she got her nose job. Online, her nose has looked the same for years — before and after the procedure. “I psychotically would edit every photo of me to have the nose that I always wanted to have,” said Florio, who’s been Facetuning since high school. She first got Botox as a teenager and lip fillers as a junior in college. That same year, she brought a Facetuned photo of her nose to her surgeon to turn it into a reality — something industry professionals describe as a booming trend.But Facetune isn’t just a planning tool for people who are already considering cosmetic surgery. A study published last year revealed that using Facetune actually instills and increases people’s desire to go under the knife. And as surgeons like Dr. Michael Reilly, a co-author of the study, are finding, it can set them up for crushing disappointment. This is a race nobody can win. The standard is continually moving. You’re never going to keep up.Rachel Rodgers, psychology professor at Northeastern UniversityIn April, a woman in her 20s went to see Dr. Reilly at his practice in Washington, D.C., where he specialises in facial plastic surgery. Like Florio, she had with her a Facetuned image of her nose. It showed exactly how she wanted her nasal tip to look: petite and refined, like the models on Instagram. This would be her fourth nose job, she explained; the others, performed by three different surgeons, had all left her unsatisfied. Looking at the woman’s nose, Dr. Reilly realised she had so little cartilage left that her desired result would likely be impossible to achieve, and perhaps always had been. When he told her he couldn’t do it, she was devastated and initially refused to take “No” for an answer. Her behaviour raised concerns that she could have an underlying body image condition, something Dr. Reilly is careful to screen for.Cosmetic surgeries can actually worsen the illness of people with body dysmorphic disorder, which in severe cases may require psychological intervention as a treatment.“The reason anyone should go into cosmetic surgery is because you like helping people feel good about themselves,” said Dr. Reilly, who fears Facetune does the opposite by propagating unmeetable beauty expectations and, in turn, harming users’ mental health. The app’s explosive rise has been a blessing and a curse in his industry; interest in cosmetic procedures is spiking, but shutting down patients’ Facetune fantasies has become an increasingly common and upsetting part of surgeons’ jobs.In some cases, patients are bringing in Facetuned photos without even realising it. Dr. Lee B. Daniel, an aesthetic plastic surgeon in Eugene, Oregon, says about three-quarters of his patients show up with images of Instagram models they want to look like — who, unbeknownst to the patients, are heavily Facetuning or Photoshopping their pictures.“Once or twice a week I’m having to tell patients, ‘If you want a waist that small, we’d have to take out a couple ribs,’” he said. “We’re seeing a whole generation [of women] who are being force-fed an idea of what they need to look like, and it’s just unrealistic.”As Facetune becomes more popular, surgeons’ patients are starting to get younger.“It used to be that you wouldn’t see cosmetic patients for anything other than rhinoplasty until they were 35,” Dr. Reilly said, “but now it’s very routine to see somebody for lip fillers or Botox in their 20s — even teens come in for lip filler.”Lane was delighted with the results of her lip injections; she’d never been able to get her mouth to look quite right with Facetune. But as is standard with fillers, they have since dissolved, and she hasn’t been able to afford new ones yet. She just bought a puppy and she’s saving up for a car — and more procedures. In the meantime, Facetune gives her the look she wants. Likewise, Christian became so enamoured with her Facetuned appearance that she, too, has looked into options to edit her face and body in real life.“You want the nose, you want the fillers, you want the veneers, you want the boobs, there’s just so many things,” she said.“If I want to look as good as these people [on Instagram], I need to be able to afford all of this, so what all surgeries do I want to get?”After spending so long Facetuning her backside to perfection, Christian seriously considered getting a Brazilian butt lift — a notoriously dangerous surgery in which fat is transferred to the butt from elsewhere in the body. The nearly $10,000 price tag was daunting, but through diligent research, she learned that she could pay it off in instalments using a credit card, “almost like a phone bill, but for your body.” I’m telling you right now: This is going to get worse before it gets better.Dr. Philip Miller, surgeon at Gotham Plastic SurgeryBefore long, Christian’s Instagram Explore feed was teeming with BBL before-and-after shots and posts from surgeons offering the treatment at their clinics, making the temptation that much harder to ignore. The only thing putting her off is the weeks-long recovery process, which, as she was disturbed to learn, can involve blood-tinged fluid oozing from the incisions in one’s bottom, even staining and leaking through clothing.Despite the risks, she’s not the only one considering the procedure. Multiple women featured in this story are thinking about or saving up for BBLs.“I never wanted plastic surgery before, but once I started using Facetune and realised that it gives you the body figure a lot of girls want, I internalised that,” Arredondo said. “Now I’ll always find myself thinking, ‘Oh man, if I could just get a BBL ... ’”As for her other desired procedures, Christian is just waiting for her business to take off. Veneers are at the top of her list when she has the money for them, followed by a boob job and then possibly a nose job. She and Lane have had ample time to think about their coveted surgeries and to test them out on Facetune during the COVID-19 shutdowns.Compared to a year ago, toward the start of the pandemic, Dr. Miller in Manhattan says he now has about twice as many patients showing up with Facetuned pictures of themselves. One woman in her 20s had Facetuned a photo of her desired postoperative result so intensely that it would have required him to reconstruct her face almost entirely.“She had slimmed her face so much that I would have had to move her eyeball orbits closer together and narrow her nose,” Dr. Miller recalled in disbelief. “I would have had to take like half of her nose out — the actual nasal passageway — out of her face. I mean, she literally wanted me to bring her eyes closer together, which is just impossible.”Looking ahead, Dr. Miller expects to field even more maddening requests from patients.“I’m telling you right now,” he said, “this is going to get worse before it gets better.”Where Does It End?Once upon a time, editing a selfie for Instagram meant adding a sepia tone filter — perhaps “Valencia” or “Rise” — and calling it a day. #Perfect.Today, the extraordinary lengths that an untold number of young women are going to in a desperate effort to look flawless on the platform are indicative of a mental health crisis — one fuelled in no small part by Facetune and other apps like it. “I’ve always been insecure, but in this Facetune era, I feel so much more shame about my appearance,” Christian said. “Sometimes when I go back to my original [un-Facetuned photos] I literally feel bad, I feel shame. I’m like, ‘No one can know I actually look like that.’”As image retouching technology advances, so does the demand for more innovative tools capable of increasingly radical appearance enhancements.Last year, Lightricks launched Facetune Video, apparently its most requested feature, making it possible for users to film themselves while wearing their carefully constructed fantasy faces, too. “This is a race nobody can win,” said Rodgers, the body image expert at Northeastern University. “The standard is continually moving. You’re never going to keep up.”Other emerging tools, such as sister apps PrettyUp and Perfect Me, are specifically designed to alter women’s body shapes on video — making it simple to elongate their legs, widen their hips, shrink their waists and enlarge their butts while they’re moving around. (“Don’t want to go back to the gym?” Perfect Me asks on its Facebook page. “One clicke [sic] to have perfect abs, slim waist and long legs!”) The results are alarmingly convincing: A wannabe fitness influencer could easily use either app to digitally sculpt herself a perfect figure then parade around on-camera selling dietary supplements or workout routines to envious, oblivious followers. Omari from @igfamousbydana suspects that’s already happening. The extent to which women are altering their online appearances in pursuit of perfection is disturbing to her.“It almost feels like all these women are building avatars for their social media personas that look nothing like them in real life,” she said. “We don’t all need to look the same, but that definitely seems to be where we’re headed.”I don't even look like that,” Lauren Florio said." src="https://img.huffingtonpost.com/asset/60a401782100009e797f1d2b.gif?ops=scalefit_630_noupscale" />As Facetune users both push and chase beauty standards further and further away from reality, some are cracking under the pressure to keep up.Christian recently deleted Facetune. She’s tried to quit before, but she said this time feels different. The app is extremely detrimental to her mental health, she realised, and she worries that by posting Facetuned photos, she herself is promoting unrealistic beauty standards and contributing to a body dysmorphia epidemic harming other young women — like her little sister.“I know how much it hurts to compare myself to others, and I wouldn’t want anyone to compare themselves to me when my pictures aren’t even real,” she said. “I’m trying to lean away from Facetune and toward body positivity, but it’s very hard when you see it all the time. With every post, I’m still just tempted to slim down my legs or widen my hips, or do this or that, just a little.”The 22-year-old hit a breaking point over the pandemic, when she was locked down inside and spending even more time on Instagram obsessively looking at pictures of “IG baddies” with perfect bodies. It made her loathe her own body so much that she lost 30 pounds in three months, desperate to look like the women in her feed, even though she was certain that they used Facetune, too. But when she looked in the mirror, her reflection still wasn’t good enough.“I couldn’t even be happy about the weight I’d lost, because I still didn’t look like them,” she said, starting to cry. “I have to ask myself: ‘Do I really want to feel this way for the rest of my life?’”Related...How To Get Your Confidence Back If It's Shattered Right Now6 Things Physios Want You To Know After A Year Of WFHWhat It's Like To Be Told Your BMI Is Too High For IVF
Once upon a time, Android itself would only play catch up to market and design trends while manufacturers did their own thing and fragmented the ecosystem. It seems that Google has taken a different approach and isn’t letting those companies take the lead when it comes to foldables. Right from the start, it collaborated with Samsung on the first Galaxy … Continue reading
Once upon a time, pre-releases of Android’s next version were available only to a limited few. Of course, Google’s own Nexus phones, later Pixels, had first dibs on any development version but some big names in the Android empire also boasted that preferential treatment. Almost like a testament to Android’s more open development strategy, a number of manufacturers have all … Continue reading
If you ask us, we are still guilty of taking some time off to watch the movies, and with the Disney Plus streaming service, accessing them and other television shows have become much easier.Coursework writing service UK has made a list of all the movies that you might have seen as a kid, but now is the time to revisit them to satisfy the inner child.AladdinWho remembers the magic carpet rides and the mysterious blue genie making our life better?You wouldn't be surprised to know that most of the audience members were young adults and kids in their late teens who grew up watching this on their screens.Peter PanAll the books in the Disney world began with once upon a time except for this one and with all good reason because this is the most special film that the Studio has ever produced.It's a childhood classic about a kid who wants to stay a child forever and who does not relate to it?All kids grew up, but one is one of the most cited stories and the mermaid lagoon, naughty pirated and ticking alligators still take us back to the amazing animations that Peter Pan's world introduced us to.FrozenAll the parents and kids who grew up watching Aladdin and The Little Mermaid hated this because of the amount of popularity it got.
Once upon a time, a word processor was little more than a blank canvas for your finger-transmitted musings: You'd open up the program, type whatever you wanted — and, well, that was pretty much it.These days, dealing with documents has practically become an art. And even though Google Docs is among the more approachable options out there (paging Microsoft Office Ribbon...), the service has grown surprisingly multilayered as of late.For the most part, that's a good thing. Docs is still generally quite easy to use, and it packs more than enough punch for most common word processing purposes. But sometimes, the layers of complexity can lead to cloud-sized headaches that are anything but light and fluffy.To read this article in full, please click here
A mythological account of the origin of Mars in Astrology is found in the Avantika section of Skandapurana.Once upon a time, Ujjayini used to rule the famous demon called Andhak in Puri.His great son's name was Kanaka Demon.Once that superpowered hero challenged Indra to battle, Indra furiously fought with him and killed him.After killing that demon, they went to Mount Kailash, finding Lord Shankar in fear of Andhakasura.Indra appeared to Lord Chandrashekhar and explained his position to him and prayed for protection, God!
Once upon a time they did little more than a secretary did, however nowadays, virtual personal assistant duties are even more thorough than that, and also possibilities are that whoever has a PA additionally has an assistant to take care of those various other obligations.
Yes there is such a thing as wedding childcare!!!Once upon a time, a wedding was being planned.Venues were chosen, cakes were tasted, and it was shaping up to be an amazing event.
There are numerous e-readers around these days, some of them already sporting colored E-Ink displays even, but Amazon’s Kindle still remains the household name in that market. Once upon a time, however, the Kindle shared that prime spot with Barnes & Noble’s NOOK. The latter has long faded into the background but it isn’t down for the count just yet. … Continue reading
Once upon a time, making a choice about how you updated Windows was easy: Let Microsoft decide. The company had a release cycle, and you went along for the ride.To read this article in full, please click here(Insider Story)
Once upon a time, Android apps were these monolithic packages that contained almost all versions of the app for all architectures and languages that it supports. Recently, Google has been pushing for a new system that put Android packages on a diet to make downloading, installing, and running them faster. Its latest trick is to learn how to better optimize … Continue reading
Once upon a time, teleradiology was considered as a fragmented and interrupted experience where the images, texts, and speeches were getting delivered on a different medium.And the poor communication between the referring physician and teleradiologist might have resulted in confusion in the patient’s mind or the high cost or undesirable clinical outcomes.Currently, technological advances have revolutionized the way teleradiology is conducted and is contributing to quality healthcare service delivery.Today, teleradiology represents the integration of the many advanced multimedia technologies which supports the upload/download of reports along with other necessary support documents (other than radiological images), display of images (multiple viewing/screening options), tools for image annotation, image/report archival and retrieval, communication between the group/team, audio reporting and its conversion into text report are some of the important features facilitating the remote reporting equivalent to real-time reporting.At present, Teleradiology addresses the key concern of the referring physician – accurate report at the earliest with the provision of communicating with teleradiologists in real-time.These concerns get addressed and benefit him in multiple ways.Benefit of Support from the extended team during the deciding moments becomes crucial for those who are based in healthcare centers where the radiology department works in stipulated working hours or patients are referred to other centers for radiology services.In such a scenario, the treating physician is benefitted by receiving accurate reports within the decided TAT and can interact with the teleradiologist for further clarification.Overall, the referring physician has an extended team outside his team (employed/assigned team) to support him in providing quality patient care and on whom he can rely during his crucial deciding moments.Benefit of 24 x 7 Reporting services empowers the referring physician in providing quality patient care round the clock without any delay.This works wonders for the multispecialty hospitals who need the subspecialty reporting and expert opinions for critical cases additional to their regular radiologist’s reporting; especially in cases of Orthopaedic, Neurology, Oncology, Paediatric or Emergency to name a few.Benefit of Remote Reporting has brought about a paradigm shift in the quality of patient care extended in primary or secondary care centers located in tier 2 / 3 towns or geographically challenging locations.
Once upon a time, digital card games were all the rage thanks to the success of Blizzard’s Hearthstone, based on the Warcraft lore, but few managed to replicate its magic formula. Even long-time brands in the real-world physical TCG/CCG industry like Magic The Gathering didn’t fare as well and Mojang’s first foray into that market, Scrolls, was an even bigger … Continue reading
Epic has officially announced Fortnite update version 15.50, one that will arrive early tomorrow morning with at least a couple of notable changes in tow. As expected, downtime will start at 4 AM ET — and as has been the trend lately, Epic has given a preview of what players can anticipate. Once upon a time, Epic provided Fortnite update … Continue reading
Once upon a time, Steam envisioned homes with a Steam Machine gaming box in their living rooms. The idea of playing PC games on such a large screen and on the comfort of your couch would have gone well if not for the fact that most PC games are designed with keyboard and mouse in mind. That may no longer … Continue reading
Once upon a time, cameras were products that you buy with a fixed set of features that never changed, forcing you to buy a new one once you’ve outgrown what your trusty partner offered. These days, however, camera makers have taken a page from smart devices to offer some new or improved features via a simple and free firmware update. … Continue reading
Once upon a time, I bought myself a car. This was a strange time when I was wealthy on paper for a short period (about a year). It was a second-hand Jaguar, a metallic gray piece of art that rode like a dream… when it wasn’t in the shop. Not long after I bought it, I was driving with my two co-founders. The one sitting in the back was reading something, while the one in front and I were chatting. At one point, the one in the front said, “so how fast does it go?” I simply shrugged and told… This story continues at The Next Web
Scoot McNairyHe is an American actor-producer known for his performance in 2010's Monster.Scoot McNairy was born on 11th November 1977 in Dallas, US.His recent movie is Once upon a time in Hollywood where he starred with many big actors like Leonardo DiCaprio, Brad Pitt, Margot Robbie, Emile Hirsch, Austin Butler, Dakota Fanning, Bruce Dern, and Al Pacino.