There's an intriguing misconception in some corridor of the digital print world and it simply is that if you want to give the sharpest images possible, you have to go to 18 or 20 or further megapixels, if you want the sharpest picture, still, if you go back to Photography 101 you will find that it's the optic device and its support that give the sharpest filmland.
That is why one finds it intriguing that the Panasonic's Lumix DMC-LX510.1 MP entry could be one of the slumberers on themid-ranged request. Note that it is not a16.1 or18.2 or 20 MP digital camera and note that it is not a Digital Single Lens Reflex, either, yet it's still able of delivering shots that compete cameras with double its resolution.
So, how did they negotiate it? They went back to basics and looked at the optics they were using for the DMC-LX5 and they decided to offer druggies anultra-bright F2.0ultra-wide-angle 24 mm lens. The lens is made by an old name in the camera business Leica (not apropos the first manufacturer of a handheld 35 mm film camera further than half-a-century ago with a range-finder focus for spot on prints). The factual lens name is the Leica DC Vario-Summicron and it really is a 24 mmultra-wide.
Panasonic went back to its basics again when it decided to use a3.8 X optic drone that would effectively give the DMC-LX5 a 24-90 mm drone lens. Believe it or not, tests show that the F2.0 lens is doubly as bright as an F2.8 lens which makes it easy to shoot great blowups with a soft background.
Panasonic also went back to its roots when it took a look at the old DMC-LX3 processor that powered the precursor to this model and what they did was basically rebuild their formerly sensitive DMC-LX3 into atri-processor. In other words, it has triple the processing power that the old DMC-LX3 offered. They called the new machine the Venus.
Basically, they took the LX3 machine, which formerly had a great character as the provider of at least a 31 percent increase in light perceptivity and they arranged three of them (on one chip, of course) in series so that each step would make on the coming. The performing LX5 machine delivers prints in low- light situations that would have other cameras demanding external strobes or lighting as the DMC-LX5 extends low- light to 3 lux in shooting vids.
While we noway tried it at that low light position because there is no place intriguing enough around our place with that low position of lights ( effects like corners, business lights, forthcoming auto headlights and other effects always sounded to spoil really low- position shots), still we were surprised with just how far we could push low- position lighting.
For the utmost part, however, we stayed with our usual types of geography photography, wildlife and event photography and we were pleased with the results. It's funny that, having been in the computer business for some time, it noway really passed to use to just go back to the basics and look at not only the original machine, but also its software to capture the inconceivable range the Panasonic captures.
Panasonic went back to the basics and they came up with a surprisingmid-range point-and- shoot camera that features a three- inch TV framing field in the hinder and, believe it or not, good, old-fashioned photographic hotshoe technology if you want to use a larger compatible strobe.
The Lumix uses up to 32 GB of SD or SDHC memory so you actually have the capability to shoot up to about 400 shots before you have to recharge the battery or drop in a extra. For short vids, you can use Dolby Digital Creator for sound. Vids, however are AVCHD-compatible, or roughly double standard JPEG imagery.
Eventually, Panasonic has done some nice work on the sense (ergonomics) of the Lumix so that it has a nicer sense in your hand and when you're shooting whether stills or short vids.
THE DC-G9 Micro Four Thirds Mirrorless Camera, which has a variety of newly developed functions and features that will appeal to photographers.
A rear joystick has been implemented as well for intuitive control over the current focus point.
Another benefit of boosted processing is the inclusion of 6K PHOTO at 30 fps and 4K PHOTO at up to 60 fps, allowing users to capture 18MP or 8MP images, respectively, at exceptional frame rates.
The EVF has a fast 120 fps refresh rate as well for lag-free viewing.
Additionally, the LCD is now a 3.0″ 1.04m-dot free-angle touchscreen for working intuitively and at odd angles.
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