A mobile title from Bilibili aimed at female users has stormed to the top of the paid game ranking on Apple’s app store in China.

Why it matters: Developers and publishers in China are putting more emphasis on games targeting female audiences as the user group’s purchasing power surges, as has been demonstrated by a stream of successful titles such as “Mr.

Details: The title, which translates to “Palms That Can’t Be Reached,” was first released in Japan by Capcom in 2016 with the name “Imprisoned Palm.” Bilibili won the rights to distribute the game in China some time ago but had been unable to move forward due to a freeze on new game approvals in the country, GameLook reported.

The game allows users to interact with two male non-playable characters stuck behind glass panels, who are imprisoned on a desert island.

Even when “visitations” are over, players can snoop on the characters using surveillance cameras and communicate with them using in-game phones.

Although the title is priced at RMB 6 ($0.85) in Apple’s China App Store, users need to pay RMB 56 through in-game purchases to unlock the game’s most essential content.

 The Global Video Sharing Platform Market Report 2025 is intended to provide a complete overview of various market metrics.

This report is developed by a team of professional authors and scholars.

The data contained in the report is collected through a very accurate methodology.

Recent research data has helped professionals respond to growth.Key Player Mentioned: AfreecaTV, Bilibili, BitChute, Buzznet, Break, DaCast, Dailymotion, EngageMedia, Flickr, Facebook, LiveLeak, GodTube, Mefeedia, YouTube, Youku, Vimeo, TV UOL, Twitch, QQ Video, Nico Nico DougaRequest Sample Copy @t: https://introspectivemarketresearch.com/request-samples.php?_id=10&_sid=8716The Global Video Sharing Platform Market analysts used advanced primary and secondary research techniques and tools to make this report.

Market emerging players can use this research study to plan their business strategy and obtain information on future challenges within the market.

It provides extensive competitive analysis, including detailed company profiling of key companies, studies of the characteristics and characteristics of competitor environments, and other important studies.Product Segment Analysis: Type I, Type IIApplication Segment Analysis: Application A, Application B, Application CRegional Segment Analysis: North America (U.S.; Canada; Mexico), Europe (Germany; U.K.; France; Italy; Russia; Spain etc.

The global Entertainment and Media market report examines the market position and viewpoint of the market worldwide, from various angles, such as from the key player’s point, geological regions, types of product and application.

This Entertainment and Media report highlights the key driving factors, constraint, opportunities, challenges in the competitive market.

It also includes company information of each market player, capacity, profit, Entertainment and Media product information, price, and so on.The latest Entertainment and Media market report published by Reports and Markets offers a competency-based analysis and global market estimate, developed using evaluable methods, to provide a clear view of current and expected growth patterns.

The report also contains market analysis by geographic location across the globe as well as major markets.The key manufacturers covered in this report are @:- HBO, News Corporation, The New York Times, BBC, Vivendi, Bilibili, Comcast, Bertelsmann, Walt Disney, Lagardère, Yotube, Viacom, and TelevisaGet the Sample Pages of Report for More Understanding@ https://www.reportsandmarkets.com/sample-request/global-entertainment-and-media-market-4125900?utm_source=soccernurds_medium=65 The report also inspects the financial standing of the leading companies, which includes gross profit, revenue generation, sales volume, sales revenue, manufacturing cost, individual growth rate, and other financial ratios.Research MethodologyThe data that has been collected is from a multitude of different services that include both primary and secondary sources.

The data also includes a list of the different factors that affect the Entertainment and Media market either positively or negatively.

Major companies who occupy a large market share and the different products sold by them in the global market are identified and are mentioned in the report.

Summary - A new market study, titled “Global B2C Live Streaming Video Platform Market Growth (Status and Outlook) 2020-2025”has been featured on WiseGuyReports.According to this study, over the next five years the B2C Live Streaming Video Platform market will register a 22.4%% CAGR in terms of revenue, the global market size will reach $ 33080 million by 2025, from $ 14740 million in 2019.

In particular, this report presents the global revenue market share of key companies in B2C Live Streaming Video Platform business, shared in Chapter 3.

This report presents a comprehensive overview, market shares, and growth opportunities of B2C Live Streaming Video Platform market by product type, application, key manufacturers and key regions and countries.

ALSO READ: http://heraldkeeper.com/news/global-b2c-live-streaming-video-platform-market-2020-to-reach-valued-at-33080-million-and-grow-at-a-22-4-cagr-forecast-to-2026-536752.html This study specially analyses the impact of Covid-19 outbreak on the B2C Live Streaming Video Platform, covering the supply chain analysis, impact assessment to the B2C Live Streaming Video Platform market size growth rate in several scenarios, and the measures to be undertaken by B2C Live Streaming Video Platform companies in response to the COVID-19 epidemic.

Segmentation by type: breakdown data from 2015 to 2020 in Section 2.3; and forecast to 2025 in section 10.7.AdvertisingDonations & Virtual GiftsMembership & SubscriptionsOthers Segmentation by application: breakdown data from 2015 to 2020, in Section 2.4; and forecast to 2025 in section 10.8.Network EducationShopping or MarketingEntertainment This report also splits the market by region: Breakdown data in Chapter 4, 5, 6, 7 and 8.AmericasUnited StatesCanadaMexicoBrazilAPACChinaJapanKoreaSoutheast AsiaIndiaAustraliaEuropeGermanyFranceUKItalyRussiaMiddle East & AfricaEgyptSouth AfricaIsraelTurkeyGCC Countries The report also presents the market competition landscape and a corresponding detailed analysis of the major vendor/manufacturers in the market.

The key manufacturers covered in this report: Breakdown data in in Chapter 3.KuaishouHuajiaoYYTencent Music Entertainment (TME)MomoTwitchYouTubeDouyuInkeByteDanceInstagramVimeo (Livestream)SnapchatYizhibo (Weibo)MixerUpliveFacebookTwitter (Periscope)Bilibili In addition, this report discusses the key drivers influencing market growth, opportunities, the challenges and the risks faced by key players and the market as a whole.

 This report studies the Short Video Applications Market with many aspects of the industry like the market size, market status, market trends and forecast, the report also provides brief information of the competitors and the specific growth opportunities with key market drivers.

Find the complete Short Video Applications Market analysis segmented by companies, region, type and applications in the report.The report offers valuable insight into the Short Video Applications market progress and approaches related to the Short Video Applications market with an analysis of each region.

The report goes on to talk about the dominant aspects of the market and examine each segment.Top Key Players: Facebook (Instagram),Instagram,LinkedIn,Snap (Snapchat),Byte Dance (Tik Tok),Twitter,Vimeo,Pinterest,Flipgrid (Vidku),Tencent,SNOW(B612),Beijing Wei Ran Internet Technology,Meipai,Yixia,Kuaishou (Kwai Go),Doupai,Joyy (YY),Google (YouTuBe GO),DO Global (DU Recorder),House Party,Meitu,Mobile Motion,Shanghai Kuanyu Digital Technology (BiliBili).

Get a Free Sample:  https://www.reportsandmarkets.com/sample-request/global-short-video-applications-market-3973399?utm_source=techsite_medium=14The global Short Video Applications market segmented by company, region (country), by Type, and by Application.

The segmental analysis focuses on revenue and forecast by region (country), by Type, and by Application for the period 2021-2027.Market Segment by Regions, regional analysis coversNorth America (United States, Canada and Mexico)Europe (Germany, France, UK, Russia and Italy)Asia-Pacific (China, Japan, Korea, India and Southeast Asia)South America (Brazil, Argentina, Colombia etc.

)Middle East and Africa (Saudi Arabia, UAE, Egypt, Nigeria and South Africa)Research objectives:To study and analyze the global Short Video Applications market size by key regions/countries, product type and application, history data from 2013 to 2017, and forecast to 2026.To understand the structure of Short Video Applications market by identifying its various sub segments.Focuses on the key global Short Video Applications players, to define, describe and analyze the value, market share, market competition landscape, SWOT analysis and development plans in next few years.To analyze the Short Video Applications with respect to individual growth trends, future prospects, and their contribution to the total market.To share detailed information about the key factors influencing the growth of the market (growth potential, opportunities, drivers, industry-specific challenges and risks).To project the size of Short Video Applications submarkets, with respect to key regions (along with their respective key countries).To analyze competitive developments such as expansions, agreements, new product launches and acquisitions in the market.To strategically profile the key players and comprehensively analyze their growth strategies.To strategically profile the key players and comprehensively analyze their growth strategies.The report lists the major players in the regions and their respective market share on the basis of global revenue.

This report presents a comprehensive overview, market shares, and growth opportunities of Webcomic Platform market by product type, application, key players and key regions and countries.Segmentation by type: breakdown data from 2016 to 2021 in Section 2.3; and forecast to 2026 in section 10.7.

Original Comic Platform Reprint Comic PlatformSegmentation by application: breakdown data from 2016 to 2021, in Section 2.4; and forecast to 2026 in section 10.8.

Child AdultAlso Read: http://www.marketwatch.com/story/global-webcomic-platform-market-statistics-cagr-outlook-and-covid-19-impact-2021-2026-2021-06-03This report also splits the market by region: Breakdown data in Chapter 4, 5, 6, 7 and 8.

Americas United States Canada Mexico Brazil APAC China Japan Korea Southeast Asia India Also Read: http://www.marketwatch.com/story/june-2021-report-on-global-protective-marine-coatings-industry-market-overview-size-share-and-trends-2021-2026-2021-06-03Australia Europe Germany France UK Italy Russia Middle East & Africa Egypt South Africa Israel Turkey GCC CountriesAlso Read: http://www.marketwatch.com/story/june-2021-report-on-global-pulmonary-biopsy-forceps-market-statistics-cagr-outlook-and-covid-19-impact-2021---2023-2021-06-03The report also presents the market competition landscape and a corresponding detailed analysis of the major players in the market.

The key players covered in this report: Breakdown data in in Chapter 3.

Kuaikan Manhua Bilibili Tencent Manhua Dongman Manman Manhua Shonen Jump U17 NiconicoSection 11: 200 USD——Cost StructureSection 12: 500 USD——Conclusion Also Read: http://www.marketwatch.com/story/june-2021-report-on-global-suramin-sodium-market-overview-size-share-and-trends-2021-2026-2021-06-08TABLE OF CONTENT :Table of Contents Section 1  Webcomic Platform Product DefinitionSection 2 Global  Webcomic Platform Market Manufacturer Share and Market Overview 2.1 Global Manufacturer  Webcomic Platform Shipments 2.2 Global Manufacturer  Webcomic Platform Business Revenue 2.3 Global  Webcomic Platform Market Overview 2.4 COVID-19 Impact on  Webcomic Platform IndustrySection 3 Manufacturer  Webcomic Platform Business Introduction 3.1 KARL STORZ  Webcomic Platform Business Introduction 3.1.1 KARL STORZ  Webcomic Platform Shipments, Price, Revenue and Gross profit 2015-2020 3.1.2 KARL STORZ  Webcomic Platform Business Distribution by Region 3.1.3 KARL STORZ Interview Record 3.1.4 KARL STORZ  Webcomic Platform Business Profile 3.1.5 KARL STORZ  Webcomic Platform Product Specification3.2 Olympus  Webcomic Platform Business Introduction 3.2.1 Olympus  Webcomic Platform Shipments, Price, Revenue and Gross profit 2015-2020 3.2.2 Olympus  Webcomic Platform Business Distribution by Region 3.2.3 Interview Record 3.2.4 Olympus  Webcomic Platform Business Overview 3.2.5 Olympus  Webcomic Platform Product Specification3.3 Visionflex Pty Limited  Webcomic Platform Business Introduction 3.3.1 Visionflex Pty Limited  Webcomic Platform Shipments, Price, Revenue and Gross profit 2015-2020 3.3.2 Visionflex Pty Limited  Webcomic Platform Business Distribution by Region 3.3.3 Interview Record 3.3.4 Visionflex Pty Limited  Webcomic Platform Business Overview 3.3.5 Visionflex Pty Limited  Webcomic Platform Product Specification3.4 orlvision GmbH  Webcomic Platform Business Introduction 3.5 Ambu  Webcomic Platform Business Introduction 3.6 Gem Surg Equipments Pvt  Webcomic Platform Business Introduction …Section 4 Global  Webcomic Platform Market Segmentation (Region Level) 4.1 North America Country 4.1.1 United States  Webcomic Platform Market Size and Price Analysis 2015-2020 4.1.2 Canada  Webcomic Platform Market Size and Price Analysis 2015-2020 4.2 South America Country 4.2.1 South America  Webcomic Platform Market Size and Price Analysis 2015-2020 4.3 Asia Country 4.3.1 China  Webcomic Platform Market Size and Price Analysis 2015-2020 4.3.2 Japan  Webcomic Platform Market Size and Price Analysis 2015-2020 4.3.3 India  Webcomic Platform Market Size and Price Analysis 2015-2020 4.3.4 Korea  Webcomic Platform Market Size and Price Analysis 2015-2020 4.4 Europe Country 4.4.1 Germany  Webcomic Platform Market Size and Price Analysis 2015-2020 4.4.2 UK  Webcomic Platform Market Size and Price Analysis 2015-2020 4.4.3 France  Webcomic Platform Market Size and Price Analysis 2015-2020 4.4.4 Italy  Webcomic Platform Market Size and Price Analysis 2015-2020 4.4.5 Europe  Webcomic Platform Market Size and Price Analysis 2015-2020 4.5 Other Country and Region 4.5.1 Middle East  Webcomic Platform Market Size and Price Analysis 2015-2020 4.5.2 Africa  Webcomic Platform Market Size and Price Analysis 2015-2020 4.5.3 GCC  Webcomic Platform Market Size and Price Analysis 2015-2020 4.6 Global  Webcomic Platform Market Segmentation (Region Level) Analysis 2015-2020 4.7 Global  Webcomic Platform Market Segmentation (Region Level) Analysis ALSO READ: http://www.marketwatch.com/story/june-2021-report-o-n-global-after-sun-care-products-markt-size-share-value-and-competi-tive-landsc-ape-2021--20-26-2021-06-09Section 5 Global  Webcomic Platform Market Segmentation (Product Type Level) 5.1 Global  Webcomic Platform Market Segmentation (Product Type Level) Market Size 2015-2020 5.2 Different  Webcomic Platform Product Type Price 2015-2020 5.3 Global  Webcomic Platform Market Segmentation (Product Type Level) AnalysisSection 6 Global  Webcomic Platform Market Segmentation (Industry Level) 6.1 Global  Webcomic Platform Market Segmentation (Industry Level) Market Size 2015-2020 6.2 Different Industry Price 2015-2020 6.3 Global  Webcomic Platform Market Segmentation (Industry Level) AnalysisSection 7 Global  Webcomic Platform Market Segmentation (Channel Level) 7.1 Global  Webcomic Platform Market Segmentation (Channel Level) Sales Volume and Share 2015-2020 7.2 Global  Webcomic Platform Market Segmentation (Channel Level) AnalysisSection 8  Webcomic Platform Market Forecast 2020-2025 8.1  Webcomic Platform Segmentation Market Forecast (Region Level) 8.2  Webcomic Platform Segmentation Market Forecast (Product Type Level) 8.3  Webcomic Platform Segmentation Market Forecast (Industry Level) 8.4  Webcomic Platform Segmentation Market Forecast (Channel Level)Section 9  Webcomic Platform Segmentation Product Type 9.1 Pediatric Rhino-Laryngoscope Product Introduction 9.2 Adult Rhino-Laryngoscope Product IntroductionSection 10  Webcomic Platform Segmentation Industry 10.1 Hospital Clients 10.2 Clinic Clients …………..Continued CONTACT [email protected]+44 203 500 2763+1 62 825 80070971 0503084105